Alumni Speak
‘Apeejay gave importance to personality development’
This alumna leads creative design at the world’s second-largest fashion agency, working with 200+ global brands
From science labs to sketch pads, Namita Mahajan’s career has been anything but conventional. A 1999 pass-out from Apeejay School, Sector 15, Faridabad, she now heads the design division of one of the world’s largest fashion sourcing companies, spread across 22 countries. Her story is a masterclass in reinvention, creativity, and leadership – built on a foundation of curiosity and courage.
Read edited excerpts:
You studied in the medical stream. How did fashion become your calling?
I was actually selected for MBBS at BHU, but couldn’t join because of an age eligibility issue. Around the same time, I cleared the entrance for NIFT’s new four-year FDIT course – an integrated blend of Fashion Design and Information Technology. Once I joined NIFT, I realised this was where I truly belonged. I told myself – if I had become a doctor, I’d be drawing organs. Now, I draw garments. Same creative hand, different canvas!
That’s a big shift! How did Apeejay School influence your creative journey?
I joined Apeejay in 11th after 10 years in a convent school. The change was dramatic. Apeejay gave importance to personality development. Through debates, group projects and creative activities, I discovered my creative side. In fact, I credit the school for sowing the first seeds of design in me.
What was your first big break in fashion?
After my NIFT campus placement, I worked briefly and then joined a global fashion agency – now the second largest in the world. I’ve worked there for over a decade. Designing uniforms for the Indian national girls’ rugby team was a proud moment. Another was receiving “Best Employee” recognition across 22 countries!
What’s your design philosophy today?
Design must be inclusive. I work with over 200 international brands – everything from premium labels to mass-market retailers. I believe fashion should be accessible, relatable and well-researched. Whether it’s understanding regional sensitivities – like avoiding a plus symbol in Middle Eastern prints – or adapting AI-powered trend data, we’re always evolving.
Advice for young Indian designers aspiring to go global?
Research is everything. Study demographics, culture, climate, and affordability. Don’t stop taking risks. And if someone copies your work, smile – they only copy the best.
